The window puncture similar to the Porthole of the clay of the Mount Wood Mountain in Norway, which was designed by the local architect Quintin.

The house called Timber Nest is located, located near the southern town of R ruperg, where it occupies a slope location, overlooking the Hardangervidda National Park.

Given the site’s exposure to the elements and often thick snowfarries, the Oslo -based Desfarges looked at the creation of a simple cabin that would coexist with the landscape, while taking advantage of the traditional traditional capsules in the region.

Desfarges told Dezeen: “Nest Timber only does not occupy his position,” Desfarges told Dezeen.

He continued, “Every decision has been taken to maintain the current vegetation on the site, allowing the birch forest surrounding the survival without hindrance.”

“The cabin is fully designed from Wood, and the traditions of construction of the north fortified time include timely while celebrating the beauty of the touch of exposed wood.”

Inside, the cabin is divided into two distinct halves.

To the south, the living area and a double -height kitchen are ignored by mezzanine, while bedrooms and bathrooms in the north sit on both sides of a central corridor.

At both ends of the house, large circular windows provide light on the living space and upper bedrooms that resemble international relations, as well as framing views of trees abroad.

Desfarges said: “The cabin bears the harsh northern winter-sometimes almost wet with snow-however is still open and full of light, always in conversation with the changing scene.”

All the time, the wooden structure and the house cladding were left exposed, allowing the uneducated pine panels to convert gray silver over time.

Green stained accents, such as kitchen and stairs, were presented to provide moments of color amid the interior designs that are contrary to it.

“The plate is drawn directly from the same location – solid pine and virula, which reflects the forest abroad; a concrete floor, and heated the structure in the geology of the mountain,” explained Desfarges.

“These materials are left in their sincere sincere state, allowing them to safely in a dialogue with the seasons,” continued.

“The transverse touch of green wood is in the interior, creating a sculpted moments that hesitate to colored colors.”

Many architects in Norway presented contemporary in the country’s traditional wooden cabin. In Molde, Rever & Drage planned a modern wooden cabin to a tilted site, and at Hvaler, Solgaard Arkitekter in Hvaler composed a wooden cabin on a rocky coastal site.

Photography by Robin Ratcosic.

The post -QUENTIN tablet is mixed in the Norwegian forest cabin with large circular windows that first appear on Dezeen.